Sleek rockers whose upbeat indie pop take on alt-country melancholia earned critical and cult plaudits in the 2000s.
Channeling Gram Parsons through a wall of Elephant 6 sound, San Francisco’s Beulah created pure, heartfelt pop, jangly folk tales with a singing cowboy lilt. Miles Kurofsky and Bill Swan met in a corporate mailroom in 1994; talk led to shared musical inspirations and ambitions and a collaboration, the result of which attracted Apples in Stereo’s like-minded Robert Schneider who oversaw HANDSOME WESTERN STATES. The duo grew to a loosely structured band with a layered sound built on fulsome indie rock rich with piano flourishes and wandering horns. However, with 2003’s YOKO, fueled by a flurry of sad separations, Beulah returned to simplicity on a record recorded in one day in one room with few overdubs, emerging with their most exquisite record. And then they were done.
Velocette Records
2003
Velocette Records
2001
Sugar Free
1999
Cargo
1997




